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WARNING: PHOTOSENSITIVITY/EPILEPSY/SEIZURES
A very small percentage of individuals may experience epileptic seizures or blackouts when
exposed to certain light patterns or flashing lights. Exposure to certain patterns or backgrounds
on a television screen or when playing video games may trigger epileptic seizures or blackouts
in these individuals. These conditions may trigger previously undetected epileptic symptoms or
seizures in persons who have no history of prior seizures or epilepsy. If you, or anyone in your
family, has an epileptic condition or has had seizures of any kind, consult your physician before
playing. IMMEDIATELY DISCONTINUE use and consult your physician before resuming gameplay
if you or your child experience any of the following health problems or symptoms:
• dizziness
• altered vision
• eye or muscle twitches
• loss of awareness
• disorientation
• seizures, or
• any involuntary movement or convulsion.
RESUME
GAMEPLAY ONLY ON APPROVAL OF YOUR PHYSICIAN.
_____________________________________________________________________________
Use and handling of video games to reduce the likelihood of a seizure
• Use in a well-lit area and keep as far away as possible from the television screen.
• Avoid large screen televisions. Use the smallest television screen available.
• Avoid prolonged use of the PLAYSTATION®3 system.
Take a 15-minute break during each hour of play.
• Avoid playing when you are tired or need sleep.
_____________________________________________________________________________
Stop using the system immediately if you experience any of the following symptoms:
lightheadedness, nausea, or a sensation similar to motion sickness; discomfort or pain in the
eyes, ears, hands, arms, or any other part of the body. If the condition persists, consult a doctor.
WARNING TO OWNERS OF PROJECTION TELEVISIONS:
Do not connect your PLAYSTATION®3 system to a projection TV without first consulting the user
manual for your projection TV, unless it is of the LCD type. Otherwise, it may permanently damage
your TV screen.
HANDLING YOUR PLAYSTATION®3 FORMAT DISC:
• Do not bend it, crush it or submerge it in liquids.
• Do not leave it in direct sunlight or near a radiator or other source of heat.
• Be sure to take an occasional rest break during extended play.
• Keep this disc clean. Always hold the disc by the edges and keep it in its protective case
when not in use. Clean the disc with a lint-free, soft, dry cloth, wiping in straight lines
from center to outer edge. Never use solvents or abrasive cleaners.
tABlE oF contEnts
Getting Started . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Game Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
City Map . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Pause Menu Screens
............................... 4
Game Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Extras . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Upgrades . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Movement and Camera Control . . . . . . . . . . . . . . . . . . . . . . . . . 4
Swinging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Combat . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
General Information
................................... 6
Credits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Customer Support . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Software License Agreement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
1
GEttinG stArtEd
PLAYSTATION®3 system front
Slot cover
CF*1 slot
Eject button
SD*2 Memory
Card slot
Memory
Stick™ slot
CF
SD/miniSD
Insert the disc with the
label side facing up.
*1 CompactFlash®
*2 Secure Digital
Disc slot
Power button
Vent
Eject button
WLAN access indicator
HDD access indicator
USB connectors
Starting a game: Before use, carefully read the instructions supplied with
the PLAYSTATION®3 computer entertainment system. The documentation
contains information on setting up and using your system as well as
important safety information.
Check that the MAIN POWER switch (located on the system rear) is turned
on. Insert the Spider-Man 3 ™ disc with the label facing up into the disc slot.
Select the icon for the software title under [Game] in the PLAYSTATION®3
system’s home menu, and then press the S button. Refer to this manual for
information on using the software.
Quitting a game: During gameplay, press and hold down the PS button on
the wireless controller for at least 2 seconds. Then select “Quit Game” from
the screen that is displayed.
Hint: To remove a disc, touch the eject button after quitting the game.
2
GEttinG stArtEd
Using the SIXAXIS™ wireless controller (for PLAYSTATION®3)
USB connector
Port indicators
L2 button
L1 button
R2 button
R1 button
Directional
buttons
button
button
button
button
Left stick/
L3 button*
Right stick/
R3 button*
START button
PS button
SELECT button
* The L3 and R3 buttons function when the sticks are pressed.
Note: To use the controller, you must first register or “pair” the controller
with the PLAYSTATION®3 system and assign a number to the controller.
For details, refer to the instructions supplied with the system.
Saved data for PLAYSTATION®3 format software
Saved data for PLAYSTATION®3 format software is saved on the system’s
hard disk. The data is displayed under “Saved Game Utility” in the
Game menu.
3
GAmE mEnus
City Map
Press ≥ at any time while in the city to access the City Map. The City Map
is a useful tool to orient Spider-Man in Manhattan and find a path toward a
specific point. The on-screen controls describe how to cycle through different
points of interest, zoom in and out, and move the cursor around to different
locations. Use the directional buttons to switch the markers on the map
between Missions, Activities and Crime Fighting levels. Once you have selected
a point of interest, press the ≈ button and a marker will appear on your
screen to guide you to it.
Pause Menu Screens
Press ÷ to access the Pause Menu while playing Spider-Man 3.™ Press the
å and ∂ buttons to cycle between screens in the Pause Menu.
Game Summary
This sub-menu shows your progress through the game. Here you can also
view the crime level in the city, number of tokens collected and gameplay
statistics and manually save the game.
Extras
You can access unlocked extra content in this menu, such as
Endurance Arenas.
Upgrades
Here you can see how to perform any upgrades you have unlocked as well as
select any extra playable characters you have earned.
Options
This menu allows you to adjust audio options, view your controls and adjust
camera controls.
Movement and Camera Control
Use the left stick to move Spider-Man around while on the ground or swinging
in the air. Press the ß button while running to sprint. Use the right stick to
manually take control of the camera in Spider-Man 3 .™ This can be useful to
4
look up, down or around Spider-Man, particularly while using Spider-Senses to
locate a mission objective or an elusive enemy. Manual camera controls can
be adjusted in the Pause Menu.
Swinging
Press the ƒ button to shoot a web and begin to swing. You can also jump
before pressing the ƒ button to have some extra height when you start to
swing. While swinging, use the left stick to steer Spider-Man in the direction
that you want him to go. At any point during the swing, you can shoot out
another web and start a new swing by pressing the ƒ button again.
A good way to have greater control over Spider-Man’s movement is to jump
out of a swing by pressing the ≈ button. After jumping out of the swing
press the ƒ button to shoot out another web and start your next swing.
Also, charging a jump by holding the ≈ button for a couple of seconds before
releasing it will give you a bigger speed boost as you release your web.
At any point, while swinging, you can also press the ß button to get an
extra speed boost. Boosting has a greater effect at the bottom of
a swing.
Frequent use and practice of these techniques will get Spider-Man moving
across Manhattan in record time!
comBAt
Spider-Man 3 ™ has an easy-to-use yet in-depth combo system that takes full
advantage of Spider-Man’s inherent speed, strength and web abilities. Use a
combination of the √, ç and Ω buttons to unleash a huge variety of
combos on your enemies. You can also use the jump button to take combat
to the air and perform devastating air assaults. Using the Ω button from a
distance will also allow you to perform web moves on your opponents. Using
the Ω button when close to enemies will allow you to grab them and perform
grapple moves.
Spider-Reflexes – When a yellow or red danger icon appears above an
enemy’s head, activate Spider-Reflexes by pressing the å button to dodge
the incoming attack. Spider-Reflexes slows down the world around you and
5
can be very helpful in combat and puzzle situations. Dodging the attacks of
most enemies, even bosses, can leave them open to counter attacks, so be
sure to use Spider-Reflexes during battle. The blue bar in your HUD
measures how much reflex power you have remaining.
Super Moves – The red combo meter in the upper left corner of the screen
will fill up as you perform successful attacks on enemies. Once it is full, you
can execute any of the super attacks you have unlocked by pressing the ∂
button and the appropriate attack button.
Combat Upgrades – As you progress through the story in Spider-Man 3 ,™
you will unlock new combat maneuvers that will help Spider-Man conquer his
foes. Pay attention to these upgrades as they can be useful tools against
some of the more difficult encounters that Spider-Man will face.
On the next page you’ll find a list of some of the basic combos you start the
game with. Look in the upgrades tab of the Pause Menu to view the
upgrades you earn during gameplay.
GEnErAl
inFormAtion
Health, Spider-Reflexes and Combo Meter – The icon in the upper left
corner of the screen displays Spider-Man’s Health and Spider-Reflexes
reserve. As Spider-Man takes damage, the red bar will decrease. The blue
bar represents Spider-Man’s reflexes. As he uses this superpower, the bar
will decrease until he can no longer stay in his heightened Spider-Reflex
state. The center of the icon is your Combo meter and will fill up with each
successful attack on an enemy. Once your Combo meter is full, you can use
a super attack. When controlling Black-Suited Spider-Man with your Combo
meter full, you can enter Rage mode for a short period of time.
Chase Meter – The Chase meter shows how far away Spider-Man is to the
chase target. Don’t fall too far behind or you will fail the mission. Don’t follow
targets too close if you are trying to be stealthy. The closer the spider is to
the right side of the screen, the closer you are to your target.
6
Attack Name
Control
Ground Combos
Right Uppercut
Jump Hammer Smash
360° Side Tornado Kick
Kick Launcher
√, √, √
ç, ç, ç
√, √, ç
√, ç, √
Air Combos (knock or pull opponent into the air first)
Air Double Fist
√, √, √
Power Punch
ç, ç, ç
Air Axe Kick
ç, ç, √
Air Throwdown
√, √, ç
Grabs
Sprint Uppercut
Toss Up
Aerial Assault
Grab Aerial Throw
Web Rodeo
ß+√
Ω, Ω
Ω, ç
Ω, ≈
Ω, (rotate left stick)
Special Attacks, Ground Only
Pinball
∂ + √, √
Play As New Goblin
In this version of Spider-Man 3 ,™ as you progress through the story of the
game you will unlock the ability to play as New Goblin. Once unlocked, go
into the Upgrades section of the Pause Menu to switch between New
Goblin and Spider-Man. While playing as New Goblin, you can tilt your
SIXAXIS™ controller to change the direction that you travel. Explore
Manhattan as New Goblin to uncover new challenges and activities that
are tailored to his capabilities.
7
crEdits
STARRING
Written By
Tobey Maguire
AS PETER PARKER/SPIDER-MAN
AL SEPTIEN
TURI MEYER
James Franco
AS HARRY OSBORN/
NEW GOBLIN
Topher Grace
AS EDDIE BROCK/VENOM
Thomas Haden Church
AS FLINT MARKO/SANDMAN
J.K. Simmons
AS J. JONAH JAMESON
Bruce Campbell
AS THE NARRATOR
LIKENESSES AND
INSPIRATION
Kirsten Dunst
AS MARY JANE WATSON
Perla Haney Jardine
AS PENNY MARKO
Dylan Baker
AS DR. CONNERS
Bill Nun
AS JOSEPH ROBBIE ROBINSON
Elizabeth Banks
AS BETTY BRANT
Music and
Orchestration
TOBIAS ENHUS
Treyarch
Creative Director
MARK NAU
Art Director
DAVID DALZELL
Technical Director
MICHAEL VANCE
Audio Director
JERRY BERLONGIERI
Senior Producer
GREGORY JOHN
Lead Producer
ANNA BUNYIK
Executive Producer
CHRIS ARCHER
LEADS
Lead Programmer
MARTIN DONLON
Lead Programmer
JASON BARE
Lead Artist
CHRIS ERDMAN
Lead Artist
CAMERON PETTY
Lead Character Artist
CHAD MOORE
Lead Animator
JAMES ZACHARY
8
Lead Cinematics
PAUL LEE
Lead Audio
KRIS GIAMPA
Lead Technical Artist
CARL PINDER
Lead Combat Designer
ANTHONY DOE
Lead UI Artist
DAVID CHARTIER
Test Manager
IGOR KRINITSKIY
Programming
CLANCY IMISLUND
TOBY LAEL
ALAN LUE
STEPHEN MCCAUL
BRYAN MCNETT
MARK MURAKAMI
EVAN OLSON
BOB PARKINSON
ALEX PERELMAN
ANDREW PHONGSAMRAN
ANDREI POKROVSKY
EDUARDO POYART
MATT RUSCH
CHRIS STRICKLAND
RICHARD YANDLE
Design
AKI AKAIKE
ADRIAN BALANON
VINI DY
BRIAN JOYAL
BRENT KOLLMANSBERGER
PAUL LASKA
GAVIN LOCKE
SEAN MADIGAN
PRIMUS MAJDA
SHANA MARKHAM
STEVE MCNALLY
CARLOS MONROY
CHAD PROCTOR
JAIRO SILVA
DAVID SUM
DAVID TSENG
HANS WAKELIN
Art
AHMED AHAD
MURAD AINUDDIN
JEANNE ANDERSON
ALVIN ANQUILLANO
THOR BENITEZ
JOEL BURGESS
HEATH CECERE
TONG CHEN
EDWIN CHIU
NARRY CINELLI
ROBERT DE PALMA
KENT DRAEGER
ERIK DRAGESET
DARWIN DUMLAO
JON EVANS
JOHN GIBSON
JACK JEFF GOLDFARB
DOUG GUANLAO
CHRIS GUZMAN
TERRY HESS
MATT INTRIERI
WILSON IP
CHAD JONES
STEV KALINOWSKI
MASAAKI KAWAKUBO
PETER LAM
CHRIS LEDESMA
DANIEL I-HSIAO LIN
MIKE LOMIBAO
JAMES MAYEDA
JOHN MCGINLEY
DALE MULCAHY
ERIKA NARIMATSU
GARRETT NGUYEN
DAN PADILLA
DAKSH SAHNI
JAKE SANTA ANA
DAN SANTAT
CRAIG SCHILLER
CHRIS SHELTON
ERIK STONE
ANDREW SWIHART
PETER TUMMINELLO
TRICIA VITUG
Animation
TODD ADAMSON
YANNICK BERGERON
LUIS "YOSH" BOLIVAR
MICHEL CADIEUX
BEN DEGUZMAN
SEBASTIEN HARTON
SUNG-HYUN KIM
ALEX MANRESA
STEVEN RIVERA
TIM SMILOVITCH
ALEX SMITH
KRISTEN SYCH
Audio
ALICE BERNIER
STEVE GOLDBERG
SCOTT PURVIS
KEVIN SHERWOOD
GARY SPINRAD
ELIOT ANDERS
CHARLES MAYNES
JULIA BIANCO
JOHN SHUBERT
Production
PATRICK BOWMAN
JOHN DEHART
9
DANNY DONAHO
LISA IKEDA
DAVE PADILLA
CHRIS PUENTE
AARON ROSEMAN
SHANE SASAKI
KEVIN TOMATANI
Additional Programming
JOHN ALLENSWORTH
MIKE ANTHONY
SCOTT BEAN
BLAIR BITONTI
WADE BRAINERD
WILLIAM CHEN
CHRISTIAN DIEFENBACH
JOSE DORAN
PAUL ALLEN EDELSTEIN
MARCUS GOODEY
LEI HU
MATT KIMBERLING
JOHAN KOHLER
DAN LESLIE
PETER LIVINGSTONE
RICHARD MITTON
JOSEPH NUGENT
VALERIA PELOVA
JAMES SNIDER
DIMITER "MALKIA" STANEV
CHARLES TOLMAN
KRASSIMIR TOUEVSKY
MICHAEL UHLIK
JIVKO VELEV
TREVOR WALKER
LEONARDO ZIDE
Additional Art
QUINN NGUYEN
BRAD SHORTT
DENIS TROFIMOV
BARRY WHITNEY
COLIN WHITNEY
Additional Animation
WILLIAM LYKKE
MARVIN ROJAS
JON STOLL
JIMMY ZIELINSKI
Additional Facial Animation
JAMIE EGERTON
Additional Audio
SHAWN JIMMERSON
JAMES MCCAWLEY
BRIAN TUEY
Additional Production
JASON BLUNDELL
KEN SATO
TESTING
Lead Tester
JAMES LODATO
Lead TRG
MARK JIHANIAN
Testers
ESTEVAN BECERRA
SHAMENE CHILDRESS
SEAN CHILDRESS
DIMITRI DEL CASTILLO
RODERICK ERWIN
GLENN FAILING
RICHARD GARCIA
JEMUEL GARNETT
DANIEL GERMANN
JASON GUYAN
IAN KOWALSKI
RENE LARA
ANDRE LAWTON
ALEX MEJIA
TRAVIS OTTEN
NORMAN OVANDO
KIMBERLY PARK
JUAN RAMIREZ
DAMOUN SHABESTARI
STEVEN SLANCHIK
MAT SOLIE
BRENT TODA
MAX VO
ADMINISTRATIVE
President
DAVE STOHL
Vice President
MARK LAMIA
Chief Technical Officer
MARK GORDON
Operations Director
ROSE VILLASENOR
IT Manager
ROBERT SANCHEZ
IT Engineer
NICHOLAS WESTFIELD
Office Manager
AMY HURDELBRINK
Recruiters
ANNIE LOHR
SUZANNE WHELPLEY
Human Resources
JU SHIM
Contractors and Interns
ALEXANDER CHANE AUSTIN
COLLIN AYERS
KEVIN BAIK
STEPHEN CHANG
JOEL CHANG
WON-YOUNG CHOI
BLAKE DY
ROB GILLIGAN
ERNIE GUANLAO
MARK ISHAK
VANCE KOVACS
10
ED LEE
MARK LIPSINIC
CHRIS O'BESO
JUSTIN PEREZ
BRYANT PLACE
LUCAS SEIBERT
TESHANI SHAW
ROSS TATE
ESAU VARGAS
CHUCK WADEY
DICKSON WU
MICHAEL YURKA
SPECIAL THANKS TO
JED ADAMS
DAVE ANTHONY
RICARDO ARIZA
ANDREW BAINS
CECILIA BARAJAS
RICHARD BISSO
JASON BRYANT
JAMES CHAO
BETH CUTLER
RYAN DUFFIN
BILL DUGAN
PAT DWYER
TRAVIS EASTEPP
BRIAN ETHERIDGE
BRIAN FREDRICKSON
JAMIE FRISTROM
JOEY HEADEN
TOM HENDERSON
DEN JOHNSON
SAJI JOHNSON
BOURBAKI JOSEPH
ASEN KOVACHEV
JONATHAN LAUF
JEREMIAH MAZA
YOSHITOMO MORIWAKI
CARLOS RAMIREZ
MATTHEW B. RHOADES
STUART ROCH
REZA SADAFI
MANNY SALAZAR
JEFF SCHENKELBERG
CHRISTIAN SENN
SHAWN SHAIN
GREG TAYLOR
MARTIN TURTON
VIRGIL WAGAMAN
MIKE YOSH
M-AUDIO
SEIS GROUP, INC
VERY SPECIAL
THANKS TO
MOM AND DAD
ALLISON ERDMAN
ANSEL BALDOVIN
ANTHONY LAMIA
VINCENT LAMIA
NICK LAMIA
AZURE WEI JU
BRITTA, ANTHONY AND
CHRISTOPHER BERLONGIERI
CHRISTINA
KALINOWSKI FAMILY
ROSEMARY, JEFF, BLAKE,
RICARDO, DAN, REED, KIEL
CHRISTINA, JUSTIN AND
BRANDON LEE
DON HESS
GAIL MANTE
GILLIAN SMITH
IWONA PROCTOR
JAEHYUN SASAKI
JAMES, LESLIE AND
ROBERT YOUNG
JASON CECIL
JEFF EMERY
JOANNA CHONG
JOE, KATIE, ISABEL AND
LUKE VALENZUELA
JOHN H DOE
JOHN HALL
JUDITH, REBECCA AND
KID #2 VANCE
KATE MITCHELL
KELLY AND SAMANTHA HESS
KENNETH, ANNE MARIE AND
CHRISTOPHER VANCE
KIN, YINNA AND RICHARD SUM
LAURA NARIMATSUWASSERMAN
LEAH AND ALEK SANTAT
LINDA AND WILLIAM CHEN
MARK BARISH
MARY JANE DUMLAO
MARYANNE AND STEVE PRINCE
MENINA PENGUINA AND
FAMILIA POYART
MOM, DAD, AMY, MAXIE
AND HEATH
MOREIRA FAMILY
RAM TROOP
MENDOZA FAMILY
MELANIE
CHRIS AND KRISTEN
MILLARD AND JANICE
AND MOM
PEI-YU DORA CHANG
POLYA STANEVA
PADILLAS, POSADAS AND
KATIE PHILLIPS
RON KIM
SANDY PARKINSON
SASAKI FAMILY AND FRIENDS
SEAN CHANG
SEIBERT FAMILY AND FRIENDS
SHINTA
STEEEEVEN, GABI, CHAYNA
NANNY AND PAULY
11
TAKASHI AND NORIKO
NARIMATSU
TAMI ZACHARY AND FAMILY
TREY PARKER AND
MATT STONE
YUNNIES GLORIA KIM
ZOE BATHIE
ZOILA, VICTOR, BLAKE
AND EDDIE
Activision
Producers
WILLIAM SCHMITT
JUAN VALDES
Associate Producers
JOHN C. BOONE II
NEVEN DRAVINSKI
DEREK C. SMITH
JOHN SWEENEY
WILL TOWNSEND
Production Coordinators
VINCENT FENNEL
MATTHEW HUNT
DEREK RACCA
Executive Producer
SCOTT WALKER
QUALITY ASSURANCE/
CUSTOMER SUPPORT
VP of Customer Support/
Quality Assurance
RICH ROBINSON
Director of Quality Assurance
MARILENA RIXFORD
DAY SHIFT
Manager, Quality Assurance
MATT MCCLURE
JASON LEVINE
Sr. Lead, Quality Assurance
JASON ‘FOX’ POTTER
Lead, Quality Assurance
ALEX ORTIZ
Sr. Manager, Technical
Requirements Group
CHRISTOPHER WILSON
Leads, Technical
Requirements Group
KYLE CAREY
QA TEST TEAM
JOSH CHANDLER (FLOOR LEAD)
MICHAEL WADE (MAP
TEAM LEAD)
ROBERT TAI (MAP TEAM
FLOOR LEAD)
JASON HARRIS (TRG
FLOOR LEAD)
SCOTT SOLTERO (TRG LEAD)
Testers
JOSHUA ALVAREZ
ANDRE NUTTER
REXFORD AJAA
ALBERT RODRIGUEZ
HIDEKI OMEGA
GEORGE WALKER
OSBORN YU
ADAM BRUMMETT
COREY LEWIS
CALVIN MENDOZA
BRAEDON BERRY
CLIFTON REYNOLDS II
JENNIFER REED
JEFF DIPIETRO
ERIC CARPENTER
CHRIS VELASQUEZ
ALLEN GIMENEZ
ROBERT HECK
KEANE TANOUYE
BRIAN BENSI
COLIN KAWAKAMI
JON SHELTMIRE
KIRT SANCHEZ
ROBERT RITER
SCOTT BORAKOVE
RYAN MCCULLOUGH
KENNY TREANTAFILOS
MARK RUZICKA
KEITH KODAMA
NIGHT SHIFT
Manager, Quality Assurance
ADAM HARTSFIELD
Sr. Lead, Quality Assurance
PAUL COLBERT
Lead, Quality Assurance
STEVE PEÑATE
QA TEST TEAM
ISRAEL BARCO (FLOOR LEAD)
TOMO SHIKAMI (TRG
FLOOR LEAD)
Testers
JEFF MITCHELL
JASON TOM
CHRISTIAN MURILLO
JUAN NOYOLA
ELOY PALACIOS
EDOSA OMEDE
LEVITICUS DAVIS
LUCAS BERGMAN
NUE THAO
JASON HUANG
Burn Room
JOULE MIDDLETON
(BURN ROOM COORDINATOR)
POKEE CHAN
KAI HSU
DANNY FENG
(BURN ROOM TECHNICIANS)
12
Customer Support Managers
GARY BOLDUC –
PHONE SUPPORT
MICHAEL HILL –
E-MAIL SUPPORT
Manager, Night Shift
ADAM HARTSFIELD
Manager, Resource Administration
NADINE THEUZILLOT
CS/QA Special Thanks
JAMES GALLOWAY
JOHN ROSSER
EVAN BUTTON
BRAD SAAVEDRA
GLEN VISTANTE
THOM DENICK
HENRY VILLANUEVA
ANTHONY KOROTKO
FRANK SO
PAUL WILLIAMS
INDRA YEE
TODD KOMESU
VYENTE RUFFIN
DAVE GARCIA-GOMEZ
WILLIE BOLTON
JENNIFER VITIELLO
JEREMY SHORTELL
DYLAN RIXFORD
NIKKI GUILLOTE
STEPHANIE RUSSELL
ALEXANDER WATKINS
IVOLINE LEE
ACTIVISION MOTION
CAPTURE STUDIO
Director of Motion Capture
MATT KARNES
Producer
NICK FALZON
Motion Capture Supervisor
MIKE JANTZ
Localization Consultant
STEPHANIE O'MALLEY DEMING
Director Marketing Coms
SUSAN HALLOCK
Motion Capture Technician
BEN WATSON
Sr. Dir. of 1st Party Relations
SUZAN RUDE
Manager Marketing Coms
SHELBY YATES
Production Coordinator
MIKE RESTIFO
VP, Studio Planning
BRIAN WARD
Assistant Manager
Marketing Coms
KAREN STARR
Actor and Actress Credits
Personnel Supervisor
ALAN NOEL VEGA
Data Capture Personnel
ORLANDO MCGUIRE
RANDALL ARCHER
TJ STORM
KRISTEN RIDGWAY
AMERICA YOUNG
COLIN FOLLENWEIDER
DAMION POITIER
LINDA JEWELL
ESTEBAN CUETO
CHRISTOPHER GETMAN
CASEY EASLICK
LOCALIZATIONS
Localization Tools and Support
PROVIDED BY
XLOC INC.
GLOBAL BRAND
MANAGEMENT
OPERATIONS
VP, Global Brand Management
ROB KOSTICH
Sr. Manager, Mainline Operations
JEN SULLIVAN
Global Brand Manager
AMY LONGHI
Sr. Director, Supply Chain
LAURA HOEGLER
Associate Brand Manager
MICHAEL STEINER
Project Manager, Mainline
BRANDI BAKER
PR
TRADE MANAGEMENT
Sr. Director, Corporate Coms
MICHELLE SCHRODER
Trade Promotions,
Senior Manager
MOLLY HINCHEY
Sr. Manager, Corporate Coms
RYH-MING POON
Sr. Publicist, Corporate Coms
AARON GRANT
Jr. Publicist, Corporate Coms
LINDSAY MORIO
Dir. of Production Services
BARRY KEHOE
BUSINESS AND
LEGAL AFFAIRS
UK Localization Manager
FIONA EBBS
GREG DEUTSCH
CHRISTOPHER COSBY
KAP KANG
DANIELLE KIM
UK Localization Coordinator
GINA CLARKE
US Localization Coordinators
JONAS ANDERSON
CHRIS OSBERG
MARKETING
COMMUNICATIONS
Vice President Marketing Coms
DENISE WALSH
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Trade Marketing Manager
SEAN DEXHEIMER
Associate Trade
Marketing Manager
TERESA LIN
Director, Trade Marketing
STEVE YOUNG
BUSINESS
DEVELOPMENT
Sr. Director
DAVE ANDERSON
Sr. Manager
JUSTIN BERENBAUM
Manager
TINA KWON
Producer
FRANKIE KANG
Associate Manager
LETAM BIIRA
MUSIC
Worldwide Executive of Music
TIM RILEY
Music Supervisor
BRANDON YOUNG
CENTRAL DESIGN
AND TECH
Senior Art Director
ALESSANDRO TENTO
Central Game Design
JEFF CHEN
TOM WELLS
CARL SCHNURR
Dir. of Art Technology
KEVIN CHU
Art Production Manager
AIMEE E. SMITH
DILBER MANN
Assoc. Prod. Manager
NELSON WANG
Technical Artist
MIKE EHELER
Dir. of Central Audio
ADAM LEVENSON
Sound Specialist
DAN MORRIS
Central Audio Programming
BLAIR BITONTI
Audio Coordinator
NOAH SARID
Executive Producer,
Worldwide Studios
GRAHAM FUCHS
SPECIAL THANKS
MIKE GRIFFITH
ROBIN KAMINSKY
LAIRD M. MALAMED
WILL KASSOY
STEVE PEARCE
JANE HUNT
SASHA GROSS
BRIAN MORRISON
Marvel Entertainment
Sr. Vice President &
Executive Producer, Video Games
AMES KIRSHEN
President of Production,
Marvel Studios
KEVIN FEIGE
Business & Legal Affairs
SETH LEHMAN
JOSHUA M. SILVERMAN
ROBERT SHATZKIN
MICHAEL WILLOWS
YURY VEYNBLAT
RYAN POTTER
Special Thanks
DAVID MAISEL
AVI ARAD
JANA HANEY
Sony Pictures
Consumer Products
Vice President, Interactive
MARK CAPLAN
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Director, Interactive
KEITH HARGROVE
Special Thanks
SAM RAIMI
KEVIN FEIGE
AVI ARAD
JOSH MATAS
GEORGE LEON
JULI BOYLAN
LAETITIA MAY
Womb Music
Casting and Voice Direction
MARGARET TANG
Engineering,
Editorial and Post
RIK SCHAFFER
Cast
Charlie Robinson
ROBBIE ROBERTSON
Courtenay Taylor
SHRIEK
Kari Wahlgren
MARY JANE WATSON
Iona Morris
DR. ANDREWS
Keone Young
MR. CHEN
Nathan Carlson
DR. CONNERS
Neil Kaplan
KRAVEN
Neil Ross
CARLYLE
Rachel Kimsey
BETTY BRANT
Sean Donnellan
MORBIUS
Spencer Ganus
PENNY MARKO
Vanessa Marshall
DETECTIVE DEWOLFE
Additional Voices
ANDRE SOGLIUZZO
ANDREW KISHINO, ARCHIE KAO
ARMANDO VALDES-KENNEDY
AVERY KIDD WADDELL
CANDI MILO
CHARLIE SCHLATTER
CHRIS EMERSON
CHRIS WILLIAMS
CHUCK MCCANN
CLYDE KUSATSU
CRYSTAL SCALES
DANA SELTZER
DANNY MANN
DAWNN LEWIS
DEBI MAE WEST
ERIN FITZGERALD
FRED TATASCIORE
GABRIELL CARTERIS
GRANT ALBRECHT
GREG CIPES
HANS SCHOEBER
HYNDEN WALCH
JAMES SIE
JASON SINGER
JOHN KASSIR
JORDAN MARDER
JORDI CABALLERO
JOSH KEATON
JUSTINE MICELI
KIM MAI GUEST
KIMBERLY BROOKS
LAHMARD TATE
LARAINE NEWMAN
MARC GRAUE
MARGARET TANG
MASASA MOYO
MELISSA GREENSPAN
MICHAEL GOUGH
MIKEY KELLEY
MITZI MCCALL
NIKA FUTTERMAN
NOLAN NORTH
IONA MORRIS
PATRICK RENNA
PAUL NAKAUCHI
PHIL BUCKMAN
PHIL LAMARR
PHIL MORRIS
PHILIP ANTHONY RODRIGUEZ
QUINTON FLYNN
ROBIN ATKIN DOWNES
RON YUAN
SHERYL BERNSTEIN
SILVANA VIENNE
STEPHEN STANTON
TASIA VALENZA
VYVAN PHAM
Music
Recorded in Malmö, Sweden
MALMÖ SYMPHONY
ORCHESTRA
Orchestral Recording and Mix
FREDRIK SARHAGEN
Orchestration and Conducting
STEPHEN COLEMAN
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Orchestration and
Additional Music
ROBERT BENNETT
Music Editing and
Additional Music
SCOTT SALINAS
Music Editing
ADAM GERSHON
Additional Music
ERIC COLVIN
TOD HABERMAN
DAN MANOR
FRANCOIS-PAUL AICHE
Guest Artists
“Scorpion”
PAUL OAKENFOLD
“Apocalypse”
THE CRYSTAL METHOD
“Order of the Dragon Tail”
UBERZONE
“Scorpion: Evil Corp”
MONOLAKE
“Arsenic Candy”
ANDREW PHILLPOTT
Lead Synth
SCOTT KIRKLAND
(THE CRYSTAL METHOD)
“De Wolfe” Guitar
RICHARD FORTUS
“Order of the Dragon Tail" Vocals
MARISSA STEINGOLD
"Arsenic Candy" Choir
YOUTH ACADEMY OF
DRAMATIC ARTS
"Arsenic Candy" Fashion
RED-EYE
Art Supervisor
SIM CHEN
Agency for Tobias Enhus
RICHARD BISHOP
AT 3 ARTIST MANAGEMENT
Artists
ALAN LIN
RON WANG
KITUNEN CHANG
CHIEN SU
ANDY CHENG
ANGUS LEE
POLY TSAI
SPAWN CHANG
SU-WEI LO
Additional Thanks to
LENNART STENKVIST AT MSO
KATIE SIPPEL AT 3AM
Foley
TODD AO - WEST
Foley Mixer
NERSES GEZALYAN
Foley Artists
JAMES MORIANA
JEFFREY WILHOIT MPSE
Packaging and
Manual Design
LIPGEN™ / INTERACTIVE
MULTIMEDIA SOLUTIONS, INC.
Fonts licensed from T26.com
THANK YOU FOR
PLAYING SPIDER-MAN 3.™
WE LOVE YOU.
Technical Artist
FREDDY HSIAO
Coordinators
STEVEN CHEN
ANGELINE HSIEH
IGNITED MINDS LLC
Additional
Programming
Additional Artwork by
XPEC ENTERTAINMENT
SPEEDTREE® | IDV, INC.
Project Manager
JULIE CHUNG
FMOD / FIRELIGHT
TECHNOLOGIES, PTY. LTD.
BLUE SHIFT, INC.
Spider-Man and all related characters: TM & © 2007 Marvel Characters, Inc.
Spider-Man 3, the Movie: © 2007 Columbia Pictures Industries, Inc. All rights
reserved. Game Elements: © 2007 Activision Publishing, Inc. Activision is a
registered trademark of Activision Publishing Inc. All rights reserved. All other
trademarks and trade names are the properties of their respective owners.
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customEr suPPort
Note: Please do not contact Customer Support for hints/codes/cheats; only technical issues.
Internet: http://www.activision.com/support
Our support section of the web has the most up-to-date information available. We update the
support pages daily, so please check here first for solutions. If you cannot find an answer to your
issue, you can submit a question/incident to us using the online support form. A response may take
anywhere from 24–72 hours depending on the volume of messages we receive and the nature of
your problem.
Note: Internet support is handled in English only.
Note: The multiplayer components of Activision games are handled only through Internet support.
Phone: (310) 255-2050
You can call our 24-hour voice-mail system for answers to our most frequently asked questions at
the above number. Contact a Customer Support representative at the same number between the
hours of 9:00 a.m. and 5:00 p.m. (Pacific Time), Monday through Friday, except holidays.
Please do not send any game returns directly to Activision without first contacting
Customer Support. It is our policy that game returns/refunds must be dealt with by the retailer or
online site where you purchased the product. Please see the Limited Warranty contained within our
Software License Agreement for warranty replacements.
Register your product online at www.activision.com
so we can enter you in our monthly drawing
for a fabulous Activision prize.
If you would like more information related to this product
or its features, please visit www.sm3thegame.com.
To view a full manual, including credits, visit
www.activision.com/manuals/
For hints and tips about this title, please visit:
www.bradygames.com
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SOFTWARE LICENSE AGREEMENT
USE OF THIS PROGRAM IS SUBJECT TO THE SOFTWARE LICENSE TERMS SET FORTH BELOW. "PROGRAM" INCLUDES THE SOFTWARE INCLUDED WITH
THIS AGREEMENT, THE ASSOCIATED MEDIA, ANY PRINTED MATERIALS, AND ANY ON-LINE OR ELECTRONIC DOCUMENTATION, AND ANY AND ALL COPIES
AND DERIVATIVE WORKS OF SUCH SOFTWARE AND MATERIALS. BY OPENING THIS PACKAGE, AND/OR USING THE PROGRAM, YOU ACCEPT THE TERMS
OF THIS LICENSE WITH ACTIVISION, INC. ("ACTIVISION").
LIMITED USE LICENSE. Activision grants you the non-exclusive, non-transferable, limited right and license to use one copy of this Program solely and exclusively for
your personal use. All rights not specifically granted under this Agreement are reserved by Activision. This Program is licensed, not sold. Your license confers no title
or ownership in this Program and should not be construed as a sale of any rights in this Program.
OWNERSHIP. All title, ownership rights and intellectual property rights in and to this Program and any and all copies thereof (including but not limited to any titles,
computer code, themes, objects, characters, character names, stories, dialog, catch phrases, locations, concepts, artwork, animation, sounds, musical compositions,
audio-visual effects, methods of operation, moral rights, and any related documentation, incorporated into this Program) are owned by Activision or its licensors.
This Program is protected by the copyright laws of the United States, international copyright treaties and conventions and other laws. This Program contains certain
licensed materials and Activision’s licensors may protect their rights in the event of any violation of this Agreement.
YOU SHALL NOT:
•
Exploit this Program or any of its parts commercially, including but not limited to use at a cyber cafe, computer gaming center or any other location-based site.
Activision may offer a separate Site License Agreement to permit you to make this Program available for commercial use; see the contact information below.
•
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Reverse engineer, derive source code, modify, decompile, disassemble, or create derivative works of this Program, in whole or in part.
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Export or re-export this Program or any copy or adaptation in violation of any applicable laws or regulations.
LIMITED WARRANTY. Activision warrants to the original consumer purchaser of this Program that the recording medium on which the Program is recorded will be
free from defects in material and workmanship for 90 days from the date of purchase. If the recording medium is found defective within 90 days of original purchase,
Activision agrees to replace, free of charge, any product discovered to be defective within such period upon its receipt of the Product, postage paid, with proof of the
date of purchase, as long as the Program is still being manufactured by Activision. In the event that the Program is no longer available, Activision retains the right to
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and is not applicable to normal wear and tear. This warranty shall not be applicable and shall be void if the defect has arisen through abuse, mistreatment, or neglect.
Any implied warranties prescribed by statute are expressly limited to the 90-day period described above.
EXCEPT AS SET FORTH ABOVE, THIS WARRANTY IS IN LIEU OF ALL OTHER WARRANTIES, WHETHER ORAL OR WRITTEN, EXPRESS OR IMPLIED, INCLUDING
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When returning the Program for warranty replacement please send the original product disks only in protective packaging and include: (1) a photocopy of your
dated sales receipt; (2) your name and return address typed or clearly printed; (3) a brief note describing the defect, the problem(s) you are encountered and the
system on which you are running the Program; (4) if you are returning the Program after the 90-day warranty period, but within one year after the date of purchase,
please include check or money order for $20 U.S. currency per disc replacement. Note: Certified mail recommended.
In the U.S. send to: Warranty Replacements, Activision, Inc., P.O. Box 67713, Los Angeles, California 90067
LIMITATION ON DAMAGES. IN NO EVENT WILL ACTIVISION BE LIABLE FOR SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES RESULTING FROM
POSSESSION, USE OR MALFUNCTION OF THE PROGRAM, INCLUDING DAMAGES TO PROPERTY, LOSS OF GOODWILL, COMPUTER FAILURE OR MALFUNCTION AND,
TO THE EXTENT PERMITTED BY LAW, DAMAGES FOR PERSONAL INJURIES, EVEN IF ACTIVISION HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.
ACTIVISION’S LIABILITY SHALL NOT EXCEED THE ACTUAL PRICE PAID FOR THE LICENSE TO USE THIS PROGRAM. SOME STATES/COUNTRIES DO NOT ALLOW
LIMITATIONS ON HOW LONG AN IMPLIED WARRANTY LASTS AND/OR THE EXCLUSION OR LIMITATION OF INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE
ABOVE LIMITATIONS AND/OR EXCLUSION OR LIMITATION OF LIABILITY MAY NOT APPLY TO YOU. THIS WARRANTY GIVES YOU SPECIFIC LEGAL RIGHTS, AND YOU
MAY HAVE OTHER RIGHTS WHICH VARY FROM JURISDICTION TO JURISDICTION.
TERMINATION. Without prejudice to any other rights of Activision, this Agreement will terminate automatically if you fail to comply with its terms and conditions.
In such event, you must destroy all copies of this Program and all of its component parts.
U.S. GOVERNMENT RESTRICTED RIGHTS. The Program and documentation have been developed entirely at private expense and are provided as "Commercial
Computer Software" or "restricted computer software." Use, duplication or disclosure by the U.S. Government or a U.S. Government subcontractor is subject to
the restrictions set forth in subparagraph (c)(1)(ii) of the Rights in Technical Data and Computer Software clauses in DFARS 252.227-7013 or as set forth in
subparagraph (c)(1) and (2) of the Commercial Computer Software Restricted Rights clauses at FAR 52.227-19, as applicable. The Contractor/ Manufacturer
is Activision, Inc., 3100 Ocean Park Boulevard, Santa Monica, California 90405.
INJUNCTION. Because Activision would be irreparably damaged if the terms of this Agreement were not specifically enforced, you agree that Activision shall be
entitled, without bond, other security or proof of damages, to appropriate equitable remedies with respect to breaches of this Agreement, in addition to such
other remedies as Activision may otherwise have under applicable laws.
INDEMNITY. You agree to indemnify, defend and hold Activision, its partners, affiliates, contractors, officers, directors, employees and agents harmless from
all damages, losses and expenses arising directly or indirectly from your acts and omissions to act in using the Product pursuant to the terms of this Agreement.
MISCELLANEOUS. This Agreement represents the complete agreement concerning this license between the parties and supersedes all prior agreements and
representations between them. It may be amended only by a writing executed by both parties. If any provision of this Agreement is held to be unenforceable
for any reason, such provision shall be reformed only to the extent necessary to make it enforceable and the remaining provisions of this Agreement shall not
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performed within California, except as governed by federal law and you consent to the exclusive jurisdiction of the state and federal courts in Los Angeles, California.
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